Blackout tattoos are making waves in the tattoo world, celebrated for their striking aesthetic. This bold style, covering large areas of skin in solid black ink, is gaining immense popularity among tattoo enthusiasts. An increasingly sought-after variation is the addition of white ink designs over the healed black base, creating captivating contrasts in floral, geometric, and abstract patterns, or even using negative space to let the skin itself define the design against the black canvas.
Understanding Blackout Tattoos
A blackout tattoo is characterized by its extensive use of solid black ink to completely saturate a large area of the body. Commonly seen on limbs, the torso, or back, these tattoos leave no skin visible within the inked area, achieving complete opacity. Beyond their visual impact, blackout tattoos are defined by their edges, which can be crafted into diverse shapes, from geometric precision to flowing, organic forms.
While the visual statement of a blackout tattoo is undeniable, their origin often lies in practicality. As tattoo artist Will Koffman explains, “It is not atypical for a blackout tattoo to be a large-scale cover up or have multiple cover ups.” He further notes the evolving perception, “But in recent years it has become much more common for these tattoos to be an aesthetic choice,” indicating a shift from purely functional to a deliberate artistic preference.
Detailed white ink floral design on a blackout tattoo sleeve
The Art of White Ink on Blackout Tattoos
The question of whether white ink can be tattooed over black ink is a resounding yes. Once the black base of a blackout tattoo has fully healed, white ink can be expertly applied to create stunning visual effects. Tattoo artist David Handsmark highlights the advantages of this technique, particularly for cover-ups.
“White on black allows you to start from zero with almost any cover up and create a brand new work, way better and last longer, if done with the right technique without having to go through that laser process,” David states. He emphasizes efficiency and quality, “Every case is a bit different, but the priority is to hide the skin in the fewest sessions possible while upholding the quality.”
Several approaches exist for creating these layered tattoos. Artists may first complete the blackout and then add white ink detailing. Another method involves a ‘blastover’ technique, where a new design is tattooed over an older one, with white ink then used to accentuate the fresh design against both the black and any remaining elements of the old tattoo. Black ink can also be used to strategically surround existing tattoos, integrating them into a larger blackout piece, or negative space can be left within the blackout to form the design itself.
David underscores the importance of artist expertise in determining the best approach. “Researching the right artist specialised in it and with a few years experience will definitely give you the best result,” he advises, highlighting the value of seeking out artists with specific experience in white on black tattooing.
Geometric white ink patterns over a full blackout sleeve tattoo
Safety Considerations for Blackout Tattoos with White Ink
The extensive ink coverage in blackout tattoos, further increased by adding white ink, naturally raises questions about safety. Will Koffman addresses ink quality as a key factor.
“There are some poor quality inks on the market that are made with materials that you wouldn’t want built up in the body,” Will cautions. However, he reassures that responsible artists prioritize safety, “But that isn’t what you would expect to be used by responsible tattoo artists.” Choosing a reputable artist who uses high-quality inks is paramount for minimizing risks.
Close-up of a blackout tattoo with intricate white ink line-work detail
Key Considerations Before Getting a White on Blackout Tattoo
Before committing to a Blackout Tattoo With White Ink, several factors deserve careful consideration:
1. The Permanence and Commitment
Blackout tattoos, especially those with added white ink, are significant commitments. Unlike smaller, simpler tattoos, they are not easily altered or removed. Will Koffman stresses this point, “As with any tattoo, getting solid blackwork is a serious decision and should take a bit of consideration,” and elaborates on the difficulty of removal, “It’s not like a tattoo of a name or date or symbol which can be relatively easily covered or lasered off. These are often impossible to fully remove or cover up.” Ensure this style aligns with your long-term aesthetic preferences.
2. Artist Selection is Crucial
David Handsmark emphasizes the importance of specialized expertise. “Doing proper research on Instagram around artists that are specialised in white on black and contact your preferred artist/s to get more info about your specific case,” he recommends. Seek out artists with a portfolio showcasing successful white on black tattoos to ensure they possess the necessary skills and experience.
3. Pain Tolerance
The tattooing process, particularly for large blackout pieces, can be demanding. David Handsmark explains that pain levels are influenced by several factors: “how many hours the session lasts, the area you’re tattooing, the tolerance of the person and the ability of the person to not focus on the pain.” He also notes that tattooing over existing tattoos can increase discomfort. Be prepared for potentially lengthy and moderately painful sessions.
4. Time Investment
Creating a blackout tattoo with white ink is a process that unfolds over time. Will Koffman outlines a typical timeline, “Typically the process is over 2 to 3 sessions.” He explains the rationale behind multiple sessions, “When opening up a large area of skin, it can be difficult on a client, both for the tattooing process and the healing, to attempt to saturate too large of an area at a time.” Cover-ups, especially of brightly colored tattoos, may require even more time and sessions.
5. Aesthetic Expectations for White Ink
It’s important to have realistic expectations regarding the vibrancy of white ink on black. Will Koffman clarifies, “When getting white over black, just be aware that the tattoo will not be as bright as if it were over fresh skin.” He advises on design choices, “[White ink on black tattoos] tend to hold together much better over time when the artwork is pretty bold and graphic. If it fits my client’s aesthetic, my best recommendation is to tattoo a linear drawing in white ink.” Bold, graphic designs and linework tend to yield the best and most durable results for white ink on blackout tattoos.
White ink rose design with fine lines on a blackout forearm tattoo
Aftercare for Healed Blackout Tattoos
Caring for a blackout tattoo, including those with white ink, is similar to caring for any large, color-saturated tattoo. Will Koffman describes the initial healing experience, “Healing heavy blackout or blackwork tattooing is essentially similar to healing any large colour tattoo. [You may] feel some fatigue or sensitivity over the area for a number of days, but that will be the worst of it.”
Following your tattoo artist’s aftercare instructions is crucial for proper healing. This typically involves keeping the tattoo clean and moisturized. Once fully healed, transitioning from aftercare cream to a daily moisturizer is recommended. Exfoliating the healed skin can also help maintain the tattoo’s vibrancy over time.
By understanding the nature of blackout tattoos with white ink, considering the key factors involved, and choosing a skilled artist, you can confidently embark on the journey of acquiring a truly striking and enduring piece of body art.
